Back in the days before I became The Igloo Keeper, I was a bit of a hooligan - especially when I was with the lads and we had a few beers in us!
I remember one trip we took to the Munich Beer Festival, when we all ended up on stage, shouting “Enger-land! Enger-land!” while we were simulating sex with each other. While we were dressed as prominent members of the Third Reich. If memory serves me right I was Hitler, Fat Daz was dressed up as Goering and Joey the Limp was Goebbels.
It was a great night but we were lucky not to get arrested, in hindsight. Especially as the night in question was 4th September 1939, the day after Great Britain declared war on Germany! Luckily I had incriminating photographs of Karl Fiehler the Mayor of Munich (having group sex with Goering, Goebbels and Hitler at the Munich Beer Festival, coincidentally) and he was able to spirit us away from the enraged crowd so that were all safely back in blighty in time for a spot of breakfast at The Criterion.
But that was a long time ago, and that silly nazi party full of drug addicts, sexual deviants and unhinged twats, has surely long since vanished from our collective memory. Here's a film...
Don't believe anyone that tells you Shock Waves is an under-rated classic. It's not.
In fact, it's the worst type of bad film - one that ruins a promising idea. That decent idea is having Nazi Zombies attack a group of holidaymakers shipwrecked on a near-deserted island. But Shock Waves is so disjointed and barely coherent that by the end of the film I was no longer interested, and had drifted away into that land of make believe where Quentin and Eli regularly commission me to re-make under-rated horror classics (that aren't actually under-rated) based on 5 key points. And here they are:
1 More Blood
Shock Waves is a zombie flick without any blood. There should be a law against this, surely? All zombie flicks should have gallons of blood, and a few kilos of entrails thrown in for good measure. Shock Waves has neither. When the zombies attack they grab their victim like they're asking for a dance and slip back underwater with them. How disappointingly unhorrific of them. I understand the film-makers were on a tight budget but come-on, how much does red food-colouring and some cheap sausages cost?
2 Less Daylight
Again, for budgetary reasons I understand most of the filming was done in the day-time. A big mistake, as the zombie nazis lack of decent make-up soon become clear. Get them out of the daylight and make them lurk in the dark and creep around in the shadows like any zombie worth their salt, and we've got a scare factor of x5.5 or even more. It's not rocket science.
3 Less Hyperspace
The piss-poor plotting of Shock Waves means that characters routinely split up from each other without warning and turned up in completely different locations in the next scene with no explanation. This is pretty elementary stuff. So let's just sit down, take a few deep breaths and try to make it clear where the characters are going and why they're going there, rather than flitting about like your last man on 'Asteroids' with a stuck 'Hyperspace' button.
4 Less Waste, More Class
If you're lucky enough to get 2 of the finest ever Horror actors to appear in your film, namely John Carradine and Peter Cushing, write a scene for them! Carradine dies before Cushing even appears in Shock Waves, a great waste. Alternatively, if you're lucky enough to have Peter Cushing in your Horror film with one of the finest speaking voices in the English language, write some dialogue that fills his screen-time (believe me, he'll make your shit sound convincing) rather than have him aimlessly splosh about in knee length water for longer than is seemly for a man of his advancing years.
5 Military Precision
Some genuine nazis, yesterday
At least make your Nazi Zombies act like they've had some semblance of military training. At no point in Shock Waves do we get a sense of impending doom, or even that the Nazi Zombies are working towards any plan. They just kind of shamble about, and appear to bump into their victims almost at random. Horror Screenwriting Template #12 = Put your victims in an enclosed space and surround it by zombies. Simple yet effective.
There you have it then, 5 points to make the remake of Shock Waves a Horror to reckon with. And this time round I'd have Sean Pertwee star in it, he loves getting disembowelled...
... and let's have Brian Blessed as the Boat Captain!
Tune in next week, Iglooists, for my remake of 'Paranormal Activities' with Danny De Vito and Arnold Schwarzenneger...
Tuesday Team-up: "Who Knows What Evil--?" by O'Neil, Novick, and Giordano - Dig it, Groove-ophiles! When DC had the rights to *The Shadow*, they did the smartest, coolest thing they could have possibly done: they had him meet up wi...
7 hours ago